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Pahari School of Painting - Art and Culture Notes

Pahari painting is an umbrella word for a type of Indian painting that originated in the Himalayan hill kingdoms of North India and is mainly done in miniature size. In terms of design and colour, it is quite comparable to Rajput paintings. This article will explain to you the concepts related to the Pahari School of Painting which will be helpful in Indian Art and Culture preparation for the UPSC Civil service exam.

Pahari School

Pahari School of Painting

  • These paintings were largely done in miniature painting forms throughout the era of the 17th to 19th centuries when they were formed and developed.
  • Pahari painting evolved from Mughal painting, albeit it was primarily patronised by Rajput rulers who dominated many sections of the region, and it gave rise to a new idiom in Indian painting.
  • Based on their regional diversity, Pahari paintings in India can be divided into two groups.
    • Basohli and Kullu Style - Chaurapanchasika style
    • Guler and Kangra Style - Calm colours and modification

Pahari Paintings

Pahari Paintings

Features

Pahari School of Painting - Features

  • The themes painted spanned from mythology to literature, and new techniques were introduced.
  • Nainsukh was a well-known master of the mid-eighteenth century, and his family workshop continued for another two generations.
  • The representation of the eternal love of Hindu deities Radha and Krishna is the core topic of Pahari art.
  • In a typical Pahari painting, multiple figures appear on the canvas, all of them are animated.
  • The composition, colour, and pigmentation of each figure are unique.
  • Identifying Pahari paintings merely by the regions in which they were painted might be deceptive, as political boundaries in the era in which they were created were flexible and frequently changed hands between different rulers.
JK style

Jammu Kashmir style of Pahari School of Painting

Basohli Paintings

  • Basohli Paintings are famous in the Kathua region of Jammu and Kashmir
  • This town has produced a remarkable Devi series, a spectacular series of the Supreme Goddess's incarnations.
  • The exquisite portrayal of the Rasamanjari text is likewise well-known.
  • Basohli paintings are characterised by geometrical designs, brilliant colours, and shiny enamel.

Basohli Painting

Basohli Painting

Jammu Paintings

  • Jammu paintings have a striking resemblance to Kangra paintings.
  • Jammu created the Shangri Ramayana in the late 17th and early 18th centuries.

Jasrota Paintings

  • Jammu and Kashmir is home to the majority of Jasrota paintings.
  • It revolves around kingly events, court scenes, symbolic scenes, and so on.

Mankot Paintings

  • Paintings from Mankot can be found in Jammu & Kashmir.
  • It looks a lot like the Basohli kind.
  • It makes use of vibrant colours and striking subjects.
  • Portraiture became a popular motif in the mid-seventeenth century.
  • Later on, realism and muted colours became more prominent.

Mankot Paintings

Mankot Paintings

HP style

Himachal Pradesh style of Pahari School of Painting

Chamba Paintings

  • The style of Chamba paintings is comparable to that of Mughal art.
  • It is heavily influenced by the Deccan and Gujarat painting styles.
  • The Basohli style dominated Chamba paintings in the late 17th century, paving the way for the Guler painting tradition.

Chamba Paintings

Chamba Paintings

Bilaspur Paintings

  • Around the mid-seventeenth century, this town witnessed the growth of Pahari art.
  • Painters created paintings on coverlets for sacraments and rites in addition to the Bhagavata Purana, Ramayana, and Ragamala series.

Bilaspur Paintings

Bilaspur Paintings

Guler-Kangra Style Paintings

  • Around the year 1800, the Guler Kangra painting style was formed.
  • It was a naturalised version of the artwork, with noticeable differences in the treatment of the eyes and face modelling.
  • Landscapes were also frequently shown in Guler-Kangra art.
  • This style also emphasised Indian women's grace and delicacy.

Guler-Kangra Style Paintings

Guler-Kangra Style Paintings

Garhwal Paintings

  • When painters from outside the region settled in Srinagar, Garhwal Paintings began.
  • The Mughal style was first dominant.
  • Later, it came to reflect a more straightforward interpretation of Kangra customs.

Garhwal Paintings

Garhwal Paintings

Kulu Paintings

  • Two Madhumalati manuscripts, the Bhagavata Purana, and other Kulu-style paintings are included.

Mandi Paintings

  • From 1684 through 1727, Mandi witnessed the birth of a new school of painting under Raja Sidh Sen.
  • The king was depicted as a monstrous person with exaggeratedly large heads, hands, and feet in the paintings.
  • Other pieces featured geometric configurations and delicate, realistic features.

Mandi Paintings

Mandi Paintings

Nurpur Paintings

  • Himachal Pradesh is home to the Nurpur paintings.
  • Bright colours and flat backgrounds are common in Nurpur paintings.
  • Later periods substituted subdued colours for the bright ones.

Nurpur Paintings

Nurpur Paintings

Conclusion

Conclusion

Pahari painting is a phrase that refers to a type of Indian painting that originated in the Himalayan hill kingdoms of North India and is generally done in miniature form. In terms of design and colour, it resembles Rajput art. These paintings were generally done in miniature painting types during the period of the 17th to 19th centuries. We'll go over some of the most important aspects of Pahari painting techniques in this article.

FAQs

FAQs

Question: What are the main themes depicted in the Pahari School of Painting?

Answer: The main themes of the Pahari School of Painting revolve around mythological stories, particularly the life of Lord Krishna, as well as scenes from the Ramayana, Mahabharata, and other Hindu epics.

Question: How does the Basohli style of Pahari painting differ from the Kangra style?

Answer: The Basohli style is known for its bold colors, geometrical designs, and intense emotional expression, while the Kangra style uses softer colors, delicate lines, and a greater focus on naturalism and the beauty of nature.

Question: What role did Raja Sansar Chand play in the development of the Kangra style?

Answer: Raja Sansar Chand was a great patron of the Kangra style, which flourished during his reign in the late 18th century. His support led to the creation of some of the finest works of Pahari painting, particularly those depicting the life of Krishna.

Question: What materials were commonly used in Pahari miniature paintings?

Answer: Pahari miniature paintings were typically created using watercolors on materials like paper, wood, or cloth. The intricate details and fine brushwork required high-quality pigments and brushes.

Question: How did Mughal influence shape the Pahari School of Painting?

Answer: The Mughal influence on the Pahari School can be seen in the detailed backgrounds, landscapes, and portraiture. However, the Pahari School retained its unique focus on Indian mythological themes and its use of vibrant, expressive colors.

MCQs

1. Which of the following is a key characteristic of the Basohli style of Pahari painting?

A. Soft pastel colors
B. Bold use of vibrant colors
C. Realistic portraits
D. Geometrical architecture

Answer:  (B) See the Explanation

The Basohli style is known for its bold use of vibrant colors like red, yellow, and green, which give the paintings a striking, expressive quality.

2. The Kangra style of Pahari painting is noted for its:

A. Bold, geometric patterns
B. Delicate lines and naturalism
C. Heavy use of gold
D. Abstract forms

Answer:  (B) See the Explanation

The Kangra style is famous for its delicate lines, soft colors, and an emphasis on naturalism, focusing on the beauty of nature and romantic themes.

3. What are Pahari paintings typically painted on?

A. Canvas
B. Walls
C. Paper or cloth
D. Metal

Answer:  (C) See the Explanation

Pahari paintings are typically miniatures painted on paper, wood, or cloth, with intricate details.

4. Which Hindu deity is frequently depicted in Pahari paintings?

A. Shiva
B. Brahma
C. Krishna
D. Ganesh

Answer:  (C) See the Explanation

Lord Krishna, particularly his divine love with Radha, is a central theme in many Pahari paintings, especially in the Kangra style.

5. The Pahari School of Painting emerged in which region of India?

A. Bengal
B. Deccan
C. Himalayan hill states
D. Rajasthan

Answer:  (C) See the Explanation

The Pahari School of Painting emerged in the Himalayan hill states of Jammu, Himachal Pradesh, and Garhwal.

GS Mains Questions and Model Answers

Q1: Discuss the key differences between the Basohli and Kangra styles of the Pahari School of Painting.

Answer: The Basohli style of the Pahari School is characterized by bold colors, geometrical patterns, and intense emotional expression. It emerged earlier, around the 17th century, and was known for its vibrant palette of reds, yellows, and greens. In contrast, the Kangra style, which developed later in the 18th century, is marked by its delicate lines, softer color tones, and naturalism. The Kangra paintings often depict romantic scenes from the life of Lord Krishna, with an emphasis on landscapes, flora, and fauna, showcasing a more refined and graceful aesthetic.

Q2: Analyze the role of patronage in the development of the Pahari School of Painting.

Answer: The growth and development of the Pahari School of Painting were significantly influenced by the patronage of local rulers. The Basohli style flourished under the support of the kings of Basohli, while the Kangra style reached its zenith during the reign of Raja Sansar Chand of Kangra. These patrons provided financial support to artists and encouraged the creation of paintings that reflected the mythological, religious, and romantic themes important to the cultural and spiritual life of the region. Patronage played a key role in preserving and promoting this unique form of Indian art.

Q3: Evaluate the influence of Mughal art on the Pahari School of Painting.

Answer: The Pahari School of Painting was influenced by Mughal art, particularly in terms of portraiture, detailed backgrounds, and naturalistic depiction of landscapes. However, while Mughal paintings often focused on courtly life and realistic portraiture, the Pahari School retained its distinct Indian identity by emphasizing religious and mythological themes, especially those related to Krishna and Radha. The use of vibrant colors and the portrayal of divine love and spirituality set Pahari paintings apart from their Mughal counterparts, creating a unique blend of local tradition and Mughal influence.

Previous Year Questions on Pahari School of Painting

1. UPSC CSE Prelims 2018

Question: The Kangra School of paintings is known for its depiction of which theme?
A. Battle scenes
B. Courtly life
C. The love of Radha and Krishna
D. Landscapes of Rajasthan

Answer: C

Explanation: The Kangra School is renowned for its delicate portrayal of the love between Radha and Krishna, drawn from Hindu mythology, particularly the Bhagavata Purana and Gita Govinda.

2. UPSC CSE Mains 2020 (GS Paper 1)

Question: Discuss the distinguishing features of the Pahari School of Painting and how it contributed to the cultural heritage of India.

Explanation: The Pahari School of Painting is distinguished by its miniature format, intricate brushwork, and vibrant depiction of mythological themes, especially from the life of Lord Krishna. The school is divided into two main styles: Basohli, known for its bold use of colors and geometrical designs, and Kangra, noted for its naturalism and delicate depiction of landscapes. The Pahari School contributed to India's cultural heritage by preserving and promoting the visual representation of Indian mythology.

*The article might have information for the previous academic years, please refer the official website of the exam.
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