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Indian Paintings - Art and Culture Notes

Indian Paintings have been there since prehistoric times. Painting has a long history that began with cave paintings and has progressed via ceramics, textiles, miniature paintings, and eventually modern paintings. The range of painting styles in different sections of the country reflects the country's cultural diversity, with culture and livelihood serving as themes for paintings, which were later dominated by religion. This article will explain to you the concepts related to the Indian Paintings which will be helpful in Indian Art and Culture preparation for the UPSC Civil service exam.

Background

Indian Paintings - Background

  • The primitive rock paintings at Bhimbetka, Mirzapur, and Panchmarhi provide insight into the history of painting.
  • They were followed by the Indus Valley Civilisation's painted ceramics, although the true origin of painting dates back to the Gupta period.
  • In India, the birth of three religions — Hinduism, Buddhism, and Jainism – served as a key source of inspiration for artists.
  • The deep-rooted history, culture, and alien races, among other things, have had a significant influence.
  • Spiritual themes, noble goals, and common beliefs are depicted in Indian paintings.
  • Vatsyayana mentioned six main principles/limbs or shadanga of painting in his book Kamasutra in the third century AD. They are as follows:
Six Principles of Painting
Variety of Form Rupabheda
Portrayal of likeliness of the subject Sadrisyan
Creation of luster and gleam with the colors Bhava
Mixing of colours to resemble the effects of modelling Varnikabhanga
Proportion of the object or subject Pramanam
Immersion of emotions Lavanyayoganam
  • There are numerous references to painting art in Brahmanical and Buddhist literature; for example,
    • Lepya Chitra refers to the representation of myths and lore on textiles.
    • There are also references to Lekhya Chitra's art, which includes line drawings and sketches.
    • Other types include Dhuli Chitra, Pata Chitra, and so on.
  • Vishakhadutta's play, Mudrarakshasa, also aided the reader by mentioning the names of various paintings or patas, which are necessary to understand the various styles of paintings and to observe all of the principles of painting. Among the styles were:
Styles of Paintings Major Features
Cauka Pitaka Isolated framed drawings
Dighala Pitaka Long scrolls of paintings
Yama Pitaka Isolated paintings

Prehistoric Paintings

  • Prehistoric paintings are typically created in caves on cave rocks and are called Petroglyphs.
  • Animals such as elephants, rhinoceros, cattle, snakes, deer, and other natural components such as vegetation are among the prominent topics.
  • Paleolithic, Mesolithic, and Chalcolithic are the three periods in which prehistoric paintings may be found.
  • Pigment minerals include ochre and geru. Minerals of various colors were used.
  • Major themes include group hunting, grazing scenes, and riding sequences, among others.
  • The artworks' colors and sizes have changed throughout time.
  • Examples: Bhimbetka Caves in MP; Jogimara Caves in Chhattisgarh; Narsingarh Caves in MP.

Prehistoric Painting

Prehistoric Painting

*For detailed notes of this topic, check this link Prehistoric Paintings

Mural

Mural Paintings in India

  • Murals are works that are painted on the walls or a solid structure.
  • These have been found in India since ancient times, dating from the 10th century BC to the 10th century AD.
  • The most common locations for wall murals are natural caves and rock-cut chambers.
  • Due to their sheer enormity, the Mural paintings are one-of-a-kind. They are too enormous to fit on paper and must be painted on the walls of large structures, such as caverns and temples.
  • Hinduism, Buddhism, and Jainism are the major themes.
  • Ajanta Caves, Ellora Caves, Bagh Cave Paintings, Ravan Chhaya Rock Paintings, and others are examples.

Mural Painting

Mural Painting

Mural painting Location Significance
Ajanta Caves Maharashtra
  • The Ajanta caves were sculpted out of volcanic rocks in the 4th century AD.
  • The paintings depict human values and social fabric, as well as period styles, clothes, and accessories.
  • The paintings are distinguished by the fact that each female figure has a distinct hairstyle.
  • Themes in these paintings span from Jataka stories to Buddha's life to complex flora and fauna decorative patterns.
  • Vegetable and mineral dyes were used as the painting medium.
Ellora Caves Maharashtra
  • From 7th century AD
  • The mural paintings in the Ellora caves may be seen in five caverns, with Kailasa temple being the most famous.
  • All three religions (Buddhism, Jainism, and Hinduism) are represented in the artworks.
Bagh Caves Madhya Pradesh
  • In terms of design, execution, and ornamentation, they are an extension of the Ajanta school.
  • The figures are more neatly modelled, have a sharper contour, and are more terrestrial and human in appearance.
  • Rang Mahal, Cave No. 4, features exquisite murals on the walls illustrating Buddhist and Jataka tales, similar to those found in Ajanta.
Armamalai Cave Paintings Tamil Nadu
  • In the eighth century, natural caves were turned into a Jain temple.
  • The tales of Astathik Palakas (deities defending eight corners) and Jainism are shown in stunning colourful murals on the walls and roof.
Sittanavasal Cave (Arivar Koil) Paintings Tamil Nadu
  • These murals have a striking resemblance to paintings from Bagh and Ajanta.
  • Not only are there artwork on the walls, but also on the ceiling and pillars.
  • The paintings are based on the Jain Samavasarana subject.
Ravan Chhaya Rock Shelter Odisha
  • A half-opened umbrella is seen in ancient fresco paintings on a rock shelter.
  • This shelter is thought to have served as a royal hunting lodge.
  • The painting depicting a royal procession, which dates from the 7th century, is the most remarkable.
  • The relics of Chola era paintings from the eleventh century are also significant.
Lepakshi Paintings Andhra Pradesh
  • In the 16th century, mural paintings were painted on the walls of Veerabhadra temple in Lepakshi.
  • They were created during the Vijayanagara period and have a religious theme centred on the Ramayana, Mahabharata, and Vishnu's incarnations.
  • Primary colours, particularly blue, are conspicuously absent from the paintings.
Jogimara Cave Paintings Chattisgarh
  • It dates from roughly 1000-300 BC and contains a few paintings and inscriptions in Brahmi script.
  • The cave is said to be an addition to the amphitheatre, and it was decorated with paintings.
  • Paintings include dancing couples as well as creatures such as elephants and fish.
  • A strong red outline can be seen on the paintings. White, yellow, and black are among the other colours used.

*For detailed notes of this topic, check this link Mural Paintings in India

Miniature

Miniature Paintings

  • Miniature paintings are characterised by their small size and intricate detail.
  • Human forms are most commonly seen from the side, with large eyes, a narrow waist, a sharp nose, and so on.
  • For each character, multiple colours were employed, as well as a variety of bases.
  • Frequently painted on paper, clothing, palm fronds, and other surfaces,
  • Developed primarily after the 11th century AD, with a focus on the eastern and western regions.
  • The presence of Muslims significantly altered the features of miniature art. Earthy tones, the absence of bright colours, disconnected looks, and so on have all been significant shifts.
  • Miniature painting has diverse qualities in different parts of the country.

Miniature Painting

Miniature Painting

School/Region Period Features/Significance
Pala School of Art 750-1150 AD.
  • These paintings were usually done on palm leaf or vellum paper and were found as part of manuscripts.
  • There are a lot of lonely single characters in the paintings, and group paintings are uncommon.
  • These paintings were also used and patronised by followers of the Vajrayana school of Buddhism.
Apabhramsa School of Art 11th to 15th century
  • The Jain religion was the most prominent motif in these paintings, and the Vaishnava School adopted it afterwards.
  • The colours employed in the paintings were mainly red, yellow, and ochre, and they had symbolic value.
Deccan style of painting 12th – 16th AD
  • The colours were applied flat, with the garment and human figures being delineated in black.
  • The faces are viewed from a three-quarter angle, giving them a detached look.
  • The landscapes are filled with trees, rocks, and other designs that do not attempt to mimic the subject's natural aspect.
Delhi Sultanate 13th – 16th AD
  • These paintings attempted to combine Persian motifs from their ancestors with Indian traditional components.
  • They preferred pictorial manuscripts, and the Nimatnama (a book on cookery) written under the reign of Nasir Shah.
  • This book exemplifies the blending of indigenous and Persian styles.
Mughal Era 16th – 19th AD
  • Paintings created during the Mughal era had a particular style.
  • The god is glorifying and displaying the ruler's life.
  • They concentrated their efforts on scenes of hunting, historical events, and other court-related matters.
  • The Mughal paintings combined Persian and Indian art.
Rajasthani Schools 17th – 19th AD
  • Since the Rajputs were the main ruling class at the time and patronised most of the artists, the Rajasthani School of Painting is more or less synonymous with the Rajput School of Painting.
  • In order to emulate the Mughal court's methods, Rajput courts began to patronise painting.
  • Furthermore, the presence of painters from the Mughal atelier in Bikaner, Jodhpur, or Kishangarh sowed the roots of local Rajput schools.
Pahari School 17th – 19th AD
  • This painting style arose in the sub-himalayan nations that were also ruled by the Mughals.
  • Many schools flourished in lesser kingdoms and were grouped under the umbrella of 'Pahari Paintings.'
South India 16th – 19th AD
  • The practice of creating miniature paintings was already well-established in the South Indian states throughout the early medieval period.
  • Because of the prominent use of gold in these paintings, they were distinct from the north Indian schools.

*For detailed notes of this topic, check this link Miniature Paintings in India

Folk

Folk Painting

  • Folk painting is the expressive body of culture shared by a specific group of people, and it includes the traditions that are unique to that culture, subculture, or group.
  • The folk group is a function of shared community-based identity, not of individualism.
  • Folk artists are not self-taught; they learn and teach the creation and production of folk art informally or officially.

Folk Painting

Folk Painting

Folk painting Region Features/Significance
Madhubani Paintings Bihar
  • The paintings all have a common theme and are usually inspired by Hindu religious motifs such as Krishna, Rama, Durga, Lakshmi, and Shiva.
  • On a base of cow dung and mud, these were traditionally painted on walls with rice paste and vegetable colours.
Pattachitra Odisha
  • The painting's base is treated with cotton, and the colours are made from natural material.
  • Instead of using a pencil or charcoal, a brush is used to draw the outlines in red or yellow, which are then filled in with the colours.
  • These artworks are based on the Jagannath and Vaishnava religions.
Patua Art Bengal
  • These paintings are done on pats or scrolls, and scroll painters, or patuas, have been travelling to different towns to sing their stories in exchange for food or money for generations.
  • These were traditionally painted on fabric and told religious stories.
Kalighat Painting West bengal
  • The paintings originally represented religious themes, particularly Hindu Gods and Goddesses. These artworks were used to depict social attitudes over time.
  • Kalighat paintings are the first of their sort in the country, expressing subaltern sentiments and directly addressing buyers.
Paitkar Painting Jharkhand
  • Paitkar paintings, also known as scroll paintings, are one of the country's oldest schools of painting.
  • Giving charity and holding yajnas are among the social and religious customs depicted in these paintings.
  • 'What happens to human life after death' is a recurrent theme in Paitkar's paintings.
Kalamkari Paintings Andhra Pradesh
  • The pen is constructed of sharp-pointed bamboo and is used to control the flow of the colours.
  • The fabric is made of cotton, and the colours are made with vegetable dyes.
  • The images were created freehand and were inspired by Hindu mythology.
Warli Painting Gujarat-Maharashtra
  • These paintings have a striking resemblance to the prehistoric mural paintings at Bhimbetka in Madhya Pradesh.
  • The centre subject of a chaukat or chauk is surrounded by scenes depicting fishing, hunting, farming, dances, animals, trees, and festivals in these ritualistic paintings.
Thangka Painting Sikkim, Himachal Pradesh, Ladakh region and Arunachal Pradesh
  • Thangkas were originally employed as a form of veneration, evoking Buddhism's ultimate ideals.
  • Thangkas are created using natural vegetable dyes or mineral dyes on a cotton canvas basis (white background).
Manjusha Painting Bihar
  • Angika art is another name for it, with 'ang' referring to one of the Mahajan Pada.
  • It's also known as snake painting since snake patterns are constantly present.
  • These paintings are done on jute and paper cartons.

*For detailed notes of this topic, check this link Folk Paintings

Conclusion

Conclusion

Painting is one of the key mediums that has been utilised to portray India's long legacy of artistic brilliance. Painting appears to have flourished in India since ancient times, according to much evidence. Archaeologists have discovered wall murals in many locations of India, indicating that even the early historic man in India was involved in artistic and leisure pursuits.

FAQs

FAQs

Question: What are the main features of miniature paintings in India?

Answer: Miniature paintings are known for their small size, intricate details, and use of vibrant colors. They typically depict scenes from mythology, history, and courtly life.

Question: What is the significance of Ajanta cave paintings?

Answer: The Ajanta cave paintings are important for their depiction of Buddhist themes and their artistic techniques, especially in terms of line drawing and shading.

Question: Which schools of miniature painting flourished during the Mughal era?

Answer: The Mughal School and Rajput School flourished, combining Persian influences with traditional Indian art to depict royal life, hunting scenes, and historical events.

Question: How did religion influence Indian painting?

Answer: Religious themes, particularly from Hinduism, Buddhism, and Jainism, dominated Indian paintings, with subjects ranging from gods and goddesses to stories from epics like the Ramayana and Mahabharata.

Question: What are Warli paintings known for?

Answer: Warli paintings from Maharashtra are known for their geometrical figures, depicting daily life and nature, and are often used in ritualistic contexts.

MCQs

1. Which of the following was a significant theme in the Ajanta cave paintings?

A) Court scenes
B) Jataka tales
C) Royal portraits
D) Landscapes

Answer: (B) See the Explanation

The Jataka tales, stories of Buddha’s previous lives, are one of the central themes in the Ajanta cave paintings.

2. Which school of painting is known for using natural dyes and depicting Hindu gods?

A) Warli
B) Pattachitra
C) Thangka
D) Kalighat

Answer: (B) See the Explanation

 Pattachitra paintings from Odisha use natural dyes and often depict Hindu gods like Lord Jagannath.

3. What is the most distinct feature of Mughal paintings?

A) Bright colors
B) Floral patterns
C) Persian influences
D) Depictions of wildlife

Answer: (C) See the Explanation

 Mughal paintings are known for their Persian influences, including delicate lines and emphasis on portraits and court life.

4. Which Indian folk painting style involves the use of cow dung and mud as a base?

A) Madhubani
B) Pattachitra
C) Kalamkari
D) Warli

Answer: (A) See the Explanation

 Madhubani paintings from Bihar are created using a base of cow dung and mud.

5. Which color is conspicuously absent in Lepakshi murals from Andhra Pradesh?

A) Blue
B) Red
C) Green
D) Yellow

Answer: (A) See the Explanation

 The Lepakshi murals are notable for the absence of blue.

GS Mains Questions and Answers

Q1: Discuss the role of religion in the development of Indian paintings.

Answer: Religion played a crucial role in shaping Indian paintings, especially through Hinduism, Buddhism, and Jainism. Religious themes dominated both mural and miniature paintings. The Ajanta murals reflect Buddhist influence, while Pattachitra and Madhubani depict Hindu deities. The integration of religious motifs helped preserve and propagate these traditions, influencing every regional school of painting in India.

Q2: Examine the contribution of Mughal rulers to the evolution of Indian miniature paintings.

Answer: The Mughal emperors, particularly Akbar, Jahangir, and Shah Jahan, greatly influenced Indian miniature paintings by blending Persian techniques with Indian themes. This fusion created a distinctive style, focusing on portraits, court scenes, and nature. Mughal patronage led to the flourishing of workshops, where artists developed intricate detailing and realistic depictions, which influenced later Rajput and Pahari schools.

Q3: Analyze the significance of folk art traditions like Madhubani and Warli in contemporary Indian culture.

Answer: Folk traditions like Madhubani and Warli serve as vital connections to India's rural and tribal heritage. These art forms reflect the daily lives, rituals, and beliefs of the communities. Madhubani art, with its religious themes, and Warli paintings, portraying village life, continue to influence modern design and sustain cultural identity, while also contributing to the economic empowerment of artisans.

Previous Year Questions on Indian Paintings

1. UPSC CSE Prelims 2018

Question: The paintings at Ajanta belong to which period?

A) Maurya
B) Gupta
C) Kushan
D) Satavahana

Answer: B See the Explanation

Explanation: The Ajanta caves were primarily developed during the Gupta period, showcasing Buddhist themes.

2. UPSC CSE Mains 2019 (GS Paper 1)

Question: Analyze the influence of Persian art on Indian painting traditions during the Mughal period.

Answer: Persian art significantly influenced Indian painting during the Mughal era, particularly in miniatures. Persian elements like delicate brushwork, geometrical patterns, and the use of flat perspectives were integrated into Indian styles. The Mughal emperors commissioned portraits and court scenes that adopted Persian detailing, but also depicted Indian flora, fauna, and religious events. This blending of styles created a unique Indo-Persian tradition in Indian art.

*The article might have information for the previous academic years, please refer the official website of the exam.
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