Samudragupta, a prominent ruler of the Gupta Empire, is widely recognized for his military achievements and administrative skills. Historical evidence, particularly inscriptions and coins, also points to his proficiency in the arts.
Coins minted during Samudragupta's reign depict him playing the 'Veena', a stringed musical instrument. This imagery strongly suggests that he was not only a patron of music but also a skilled musician himself, particularly adept at playing the Veena.
Therefore, Samudragupta is identified as the Gupta king who was also a good Veena player.
The work 'Panchasiddhantika', which deals with astronomy, was written in the sixth century by:
Which of the following inscriptions is the main source of information of Samudragupta's military achievements?
Chandragupta I strengthened his political position by marrying Princess Kumaradevi of which tribal lineages?
Kalidasa, the celebrated Sanskrit poet and dramatist, flourished in the court of which Gupta ruler?
Harshavardhana's sister, Rajyashri, was married to whom among the following?
Which statement correctly describes the nature of Kumaragupta I's rule?
Which legal text of the Gupta period gives us a fair idea of the polity and administration of the Guptas ?
From the decline of Guptas until the rise of Harshavardhana in the early seventh century, which of the following kingdoms were holding power in Northern India?
1. The Guptas of Magadha
2. The Paramaras Malwa
3. The Pushyabhutis of Thanesar
4. The Maukharis of Kanauj
5. The Yaduvas of Devagiri
6. The Maitrakas of Valabhi
Select the correct answer using the code given below.
Which of the following rulers from the Gupta dynasty first assumed the title 'Maharajadhiraja'?
Identify the person from the following description :
a. Founder of a great empire.
b. Cultured, scholar and a poet.
c. The famous poet Harisena was his court poet and Buddhist scholar Vasubandhu was in his court.
d. Vincent Smith praises him as the 'Indian Napoleon'.
The campaigns of which of the following Gupta ruler are described in the ‘Prayagprasasti’ ?