Tanjore Paintings Origin Dynasty
Tanjore (or Thanjavur) paintings are a classical South Indian art form. Their origin is closely associated with the patronage and artistic environment fostered during a specific historical period.
Historical Context of Tanjore Art
The distinct style of Tanjore painting, characterized by rich colors, gold foil, and embellishments like glass beads and semi-precious stones, flourished primarily under the patronage of the rulers.
Dynastic Patronage
The development and popularization of Tanjore paintings trace back to the:
- Chola Dynasty: While the style evolved over time, the foundations and early development of the techniques and themes seen in Tanjore paintings are often linked to the Chola period (approximately 9th to 13th centuries). The Cholas were known for their significant contributions to art, architecture, and sculpture in the region. Later rulers, including the Nayakas and the Marathas, also contributed to its refinement and continuation.
Therefore, the Cholas are credited with the origin and early patronage of this art form.
Similar Questions
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- Phad, an art form of Rajasthan, is a ______ form of painting.
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- The Indian painting style which has embellishments of pure gold and precious stones and depicts Hindu deities, especially Lord Krishna is:
'Patna Kalam' is a:
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Important Questions from Paintings
In Indian Art; What is Bani Thani?
'Pichwai Painting' related to which school of painting?
During Jahangir's period certain painters developed recognizable areas of expertise in the field of Mughal paintings. In this regard which of the following statements are correct?
(A) Mansur was expert in painting animals and flowers
(B) Abul Hasan was a portraitist
(C) Govardhan was an expert painter of painting holymen, musicians, and eccentrics
Choose the most appropriate answer from the options given below :
Match Liar I with List II and choose he correct answer from the code given below.
List I
(Artist)
List II
(Title received)
(a) Abdus Samad (i) Zarrin Qalam (b) Abul Hasan (ii) Nadir-ul Asr (c) Muhammad Husain of Kashmir (iii) Shireen Qalam (d) Ustad Mansur (iv) Nadir-uz Zaman Which of the following is a traditional folk art form (Rangoli) of Odisha?
