List - I List - II A. Padarekha I. Shoulder line B. Uppercase II. Small letters C. Lowercase III. Capital letters D. Skandharekha IV. Baseline
Choose the correct answer from the options given below :
This section explains the correct matching between the terms in List I and List II based on standard definitions and their contextual meaning.
Padarekha, often related to foundational lines in traditional drawing or architecture, corresponds to the Baseline. The baseline is the imaginary line upon which a letter or symbol rests.
Uppercase refers to the set of letters known as Capital letters in typography and writing systems.
Lowercase refers to the set of letters known as Small letters, contrasting with uppercase letters.
Skandharekha, derived from Sanskrit where 'Skandha' means shoulder, typically refers to the Shoulder line, especially relevant in figure drawing or anatomical representation.
This corresponds to the selection A-IV, B-III, C-II, D-I.
| List - I | List - II |
|---|---|
| A. Pithro Painting | I. Maharashtra |
| B. Pabuji Ki Phad | II. Odisha and Bengal |
| C. Pata Chitra | III. Gujarat and Madhya Pradesh |
| D. Warli | IV. Rajasthan |
| List - I | List - II |
|---|---|
| A. Greek Architecture | I. Doric order |
| B. Greek Vase | II. Statue of Kouros |
| C. Greek God | III. Lekythos |
| D. Greek Sculpture | IV. Hera |
| List - I | List - II |
|---|---|
| A. Devi (Etching) | I. Mrinalini Mukherjee |
| B. Cries Un-Heard (Sculpture) | II. Jyoti Bhatt |
| C. Vanshri | III. Amarnath Sahgal |
| D. Of walls (Etching) | IV. Anupam Sood |
| List - I | List - II |
|---|---|
| A. Rupabheda | I. Immersion of emotions |
| B. Sadrisyam | II. Proportion of the object |
| C. Pramanam | III. Variety of form |
| D. Lavanyayoganam | IV. Portrayal of likeliness of the subject |
| List - I | List - II |
|---|---|
| A. Erotic | I. Vīra |
| B. Comic | II. Hāsya |
| C. Pathetic | III. Śriṅgāra |
| D. Heroic | IV. Karuṇa |
| List - I | List - II |
|---|---|
| A. Statue of Khafre | I. Philadelphia |
| B. Nofretete | II. Cairo Museum |
| C. Donatello’s Cantoria | III. Berlin Museum |
| D. Virgin adoring the infant Jesus | IV. Museum of Florence Cathedral |
| List - I | List - II |
|---|---|
| A. Dhan Raj Bhagat | I. Anguished Cries (Bronze) |
| B. Amar Nath Sehgal | II. Dancer (Porcelain) |
| C. Lydia Mehta | III. Monarch (Wood and welded metal) |
| D. Meera Mukherjee | IV. Wayside Station (Bronze) |
| List - I | List - II |
|---|---|
| A. Apollo of Veii (515-490 BC) | I. Painted terra-cotta |
| B. Poseidon (450 BC) | II. Gold and enamel |
| C. Laocoon and his two sons | III. Bronze |
| D. Saltcellar of Francis (1543) | IV. Marble |
| List - I | List - II |
|---|---|
| A. Hot plate | I. Japanese paper |
| B. Intaglio print | II. Engraving on linoleum |
| C. Wood engraving | III. Dry point |
| D. Lino cut | IV. Application of ground |
| List - I | List - II |
|---|---|
| A. Engraving | I. A steel tool used in relief block cutting |
| B. Etching | II. An image bitten into a metal plate by acid |
| C. Felt | III. An image cut into metal plate (without use of acid) |
| D. Gouge | IV. Used in an intaglio press between roller and printing paper |
Morgenthau's principles of political realism are:
A. Politics is rooted in permanent and unchanging human nature which is basically self centred, self-regarding and self-interested
B. Politics is an autonomous sphere of action and cannot therefore be reduced to morals
C. International Politics is an arena of conflicting self-interests
D. The ethics of international relations is situational ethics which is very different from private morality
Choose the correct answer from the options given below:
Who among the following political thinkers consider the anarchical self help system to be a compelling factor for States to maximise their relative power positions?