List - I List - II A. Erotic I. Vīra B. Comic II. Hāsya C. Pathetic III. Śriṅgāra D. Heroic IV. Karuṇa
Choose the correct answer from the options given below :
The question requires matching terms representing emotions or sentiments in List I with their corresponding classical Indian aesthetic terms (Rasa) in List II.
The key is to identify the correct Rasa associated with each sentiment:
Based on the associations above, the correct matching is:
This corresponds to the option A-III, B-II, C-IV, D-I.
| List - I | List - II |
|---|---|
| A. Pithro Painting | I. Maharashtra |
| B. Pabuji Ki Phad | II. Odisha and Bengal |
| C. Pata Chitra | III. Gujarat and Madhya Pradesh |
| D. Warli | IV. Rajasthan |
| List - I | List - II |
|---|---|
| A. Greek Architecture | I. Doric order |
| B. Greek Vase | II. Statue of Kouros |
| C. Greek God | III. Lekythos |
| D. Greek Sculpture | IV. Hera |
| List - I | List - II |
|---|---|
| A. Devi (Etching) | I. Mrinalini Mukherjee |
| B. Cries Un-Heard (Sculpture) | II. Jyoti Bhatt |
| C. Vanshri | III. Amarnath Sahgal |
| D. Of walls (Etching) | IV. Anupam Sood |
| List - I | List - II |
|---|---|
| A. Rupabheda | I. Immersion of emotions |
| B. Sadrisyam | II. Proportion of the object |
| C. Pramanam | III. Variety of form |
| D. Lavanyayoganam | IV. Portrayal of likeliness of the subject |
| List - I | List - II |
|---|---|
| A. Padarekha | I. Shoulder line |
| B. Uppercase | II. Small letters |
| C. Lowercase | III. Capital letters |
| D. Skandharekha | IV. Baseline |
| List - I | List - II |
|---|---|
| A. Statue of Khafre | I. Philadelphia |
| B. Nofretete | II. Cairo Museum |
| C. Donatello’s Cantoria | III. Berlin Museum |
| D. Virgin adoring the infant Jesus | IV. Museum of Florence Cathedral |
| List - I | List - II |
|---|---|
| A. Dhan Raj Bhagat | I. Anguished Cries (Bronze) |
| B. Amar Nath Sehgal | II. Dancer (Porcelain) |
| C. Lydia Mehta | III. Monarch (Wood and welded metal) |
| D. Meera Mukherjee | IV. Wayside Station (Bronze) |
| List - I | List - II |
|---|---|
| A. Apollo of Veii (515-490 BC) | I. Painted terra-cotta |
| B. Poseidon (450 BC) | II. Gold and enamel |
| C. Laocoon and his two sons | III. Bronze |
| D. Saltcellar of Francis (1543) | IV. Marble |
| List - I | List - II |
|---|---|
| A. Hot plate | I. Japanese paper |
| B. Intaglio print | II. Engraving on linoleum |
| C. Wood engraving | III. Dry point |
| D. Lino cut | IV. Application of ground |
| List - I | List - II |
|---|---|
| A. Engraving | I. A steel tool used in relief block cutting |
| B. Etching | II. An image bitten into a metal plate by acid |
| C. Felt | III. An image cut into metal plate (without use of acid) |
| D. Gouge | IV. Used in an intaglio press between roller and printing paper |
Morgenthau's principles of political realism are:
A. Politics is rooted in permanent and unchanging human nature which is basically self centred, self-regarding and self-interested
B. Politics is an autonomous sphere of action and cannot therefore be reduced to morals
C. International Politics is an arena of conflicting self-interests
D. The ethics of international relations is situational ethics which is very different from private morality
Choose the correct answer from the options given below:
Who among the following political thinkers consider the anarchical self help system to be a compelling factor for States to maximise their relative power positions?