List - I List - II A. Engraving I. A steel tool used in relief block cutting B. Etching II. An image bitten into a metal plate by acid C. Felt III. An image cut into metal plate (without use of acid) D. Gouge IV. Used in an intaglio press between roller and printing paper
Choose the correct answer from the options given below :
This question requires matching terms from List I (artistic techniques and materials) with their descriptions in List II. Let's analyze each term:
Engraving (A) is a printmaking technique where an image is incised into a metal plate using a sharp tool, typically a burin. This process cuts lines directly into the metal without the use of acid. Therefore, Engraving matches description III: "An image cut into metal plate (without use of acid)".
Etching (B) is another intaglio printmaking technique. In etching, a metal plate is coated with a resist (like wax), and the artist draws through the resist to expose the metal. The plate is then submerged in an acid bath, which "bites" into the exposed metal, creating the image. This matches description II: "An image bitten into a metal plate by acid".
Felt (C) in the context of printmaking often refers to the thick, woolen material used as packing in an intaglio printing press. It cushions the printing paper and plate during the pressure applied by the press roller, ensuring a deep impression. This corresponds to description IV: "Used in an intaglio press between roller and printing paper".
A Gouge (D) is a type of carving tool with a curved blade, commonly used in relief printing techniques like woodcut or linocut. It is used to remove material from the block, creating the non-printing areas. This aligns with description I: "A steel tool used in relief block cutting".
Based on the analysis:
The correct option reflecting this matching is A-III, B-II, C-IV, D-I.
| List - I | List - II |
|---|---|
| A. Pithro Painting | I. Maharashtra |
| B. Pabuji Ki Phad | II. Odisha and Bengal |
| C. Pata Chitra | III. Gujarat and Madhya Pradesh |
| D. Warli | IV. Rajasthan |
| List - I | List - II |
|---|---|
| A. Greek Architecture | I. Doric order |
| B. Greek Vase | II. Statue of Kouros |
| C. Greek God | III. Lekythos |
| D. Greek Sculpture | IV. Hera |
| List - I | List - II |
|---|---|
| A. Devi (Etching) | I. Mrinalini Mukherjee |
| B. Cries Un-Heard (Sculpture) | II. Jyoti Bhatt |
| C. Vanshri | III. Amarnath Sahgal |
| D. Of walls (Etching) | IV. Anupam Sood |
| List - I | List - II |
|---|---|
| A. Rupabheda | I. Immersion of emotions |
| B. Sadrisyam | II. Proportion of the object |
| C. Pramanam | III. Variety of form |
| D. Lavanyayoganam | IV. Portrayal of likeliness of the subject |
| List - I | List - II |
|---|---|
| A. Erotic | I. Vīra |
| B. Comic | II. Hāsya |
| C. Pathetic | III. Śriṅgāra |
| D. Heroic | IV. Karuṇa |
| List - I | List - II |
|---|---|
| A. Padarekha | I. Shoulder line |
| B. Uppercase | II. Small letters |
| C. Lowercase | III. Capital letters |
| D. Skandharekha | IV. Baseline |
| List - I | List - II |
|---|---|
| A. Statue of Khafre | I. Philadelphia |
| B. Nofretete | II. Cairo Museum |
| C. Donatello’s Cantoria | III. Berlin Museum |
| D. Virgin adoring the infant Jesus | IV. Museum of Florence Cathedral |
| List - I | List - II |
|---|---|
| A. Dhan Raj Bhagat | I. Anguished Cries (Bronze) |
| B. Amar Nath Sehgal | II. Dancer (Porcelain) |
| C. Lydia Mehta | III. Monarch (Wood and welded metal) |
| D. Meera Mukherjee | IV. Wayside Station (Bronze) |
| List - I | List - II |
|---|---|
| A. Apollo of Veii (515-490 BC) | I. Painted terra-cotta |
| B. Poseidon (450 BC) | II. Gold and enamel |
| C. Laocoon and his two sons | III. Bronze |
| D. Saltcellar of Francis (1543) | IV. Marble |
| List - I | List - II |
|---|---|
| A. Hot plate | I. Japanese paper |
| B. Intaglio print | II. Engraving on linoleum |
| C. Wood engraving | III. Dry point |
| D. Lino cut | IV. Application of ground |
Morgenthau's principles of political realism are:
A. Politics is rooted in permanent and unchanging human nature which is basically self centred, self-regarding and self-interested
B. Politics is an autonomous sphere of action and cannot therefore be reduced to morals
C. International Politics is an arena of conflicting self-interests
D. The ethics of international relations is situational ethics which is very different from private morality
Choose the correct answer from the options given below:
Who among the following political thinkers consider the anarchical self help system to be a compelling factor for States to maximise their relative power positions?