In Rāga Vivodha, Pt. Somnath defined a rāga through Devamāyā svarūpa (ethos). Which of the following denotes its tonal structure?
Swarlakshana
In Pt. Somnath's Rāga Vivodha (16th century), a rāga is described through several attributes. Devamāyā svarūpa conveys its ethos or presiding character.
The tonal structure of a rāga — its specific arrangement of swaras (notes), their consonance, ornamentation and relative emphasis — is captured by Swarlakshana (swara-lakshaṇa, the 'characteristics of notes'). Tālanga relates to rhythm, Rūpa to overall form, and Jāti to melodic class — none of these denotes the tonal structure itself.
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Asad Ali Khan is best known for his mastery over which of the given musical instruments?
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