Which of the following best describes Achal and Chal swaras in Indian classical music?
Sa and Pa are fixed; others have variants like Komal or Teevra
In Indian classical music, the seven notes (swaras) are divided into two categories:
Achal (fixed/immovable) swaras: Sa (Shadja) and Pa (Panchama) — these have only one form and their pitch never changes.
Chal (movable) swaras: Re, Ga, Ma, Dha, Ni — these can appear in Shuddha (natural), Komal (flat), or Teevra (sharp) forms depending on the raga.
Both Hindustani and Carnatic music use this distinction, making options C and D incorrect.
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