Nandalal Bose was a renowned Indian painter, considered a pivotal figure in the modern Indian art movement. One of his famous works is the 'Haripura Posters', which he created in 1937 for the Indian National Congress session in Haripura. Among these posters, 'Dhaki' is a notable piece.
Now, to locate where this piece is housed in India, let's analyze the options provided:
Given these options, the correct answer is NGMA, New Delhi. Nandalal Bose's 'Haripura Poster - Dhaki' is indeed housed in the National Gallery of Modern Art, New Delhi.
This museum plays a significant role in preserving the cultural heritage of India, and having 'Dhaki' in its collection underscores its importance in the Indian art scene.
| List - I | List - II |
|---|---|
| A. Pithro Painting | I. Maharashtra |
| B. Pabuji Ki Phad | II. Odisha and Bengal |
| C. Pata Chitra | III. Gujarat and Madhya Pradesh |
| D. Warli | IV. Rajasthan |
| List - I | List - II |
|---|---|
| A. Greek Architecture | I. Doric order |
| B. Greek Vase | II. Statue of Kouros |
| C. Greek God | III. Lekythos |
| D. Greek Sculpture | IV. Hera |
| List - I | List - II |
|---|---|
| A. Devi (Etching) | I. Mrinalini Mukherjee |
| B. Cries Un-Heard (Sculpture) | II. Jyoti Bhatt |
| C. Vanshri | III. Amarnath Sahgal |
| D. Of walls (Etching) | IV. Anupam Sood |
| List - I | List - II |
|---|---|
| A. Rupabheda | I. Immersion of emotions |
| B. Sadrisyam | II. Proportion of the object |
| C. Pramanam | III. Variety of form |
| D. Lavanyayoganam | IV. Portrayal of likeliness of the subject |
| List - I | List - II |
|---|---|
| A. Erotic | I. Vīra |
| B. Comic | II. Hāsya |
| C. Pathetic | III. Śriṅgāra |
| D. Heroic | IV. Karuṇa |
| List - I | List - II |
|---|---|
| A. Padarekha | I. Shoulder line |
| B. Uppercase | II. Small letters |
| C. Lowercase | III. Capital letters |
| D. Skandharekha | IV. Baseline |
| List - I | List - II |
|---|---|
| A. Statue of Khafre | I. Philadelphia |
| B. Nofretete | II. Cairo Museum |
| C. Donatello’s Cantoria | III. Berlin Museum |
| D. Virgin adoring the infant Jesus | IV. Museum of Florence Cathedral |
| List - I | List - II |
|---|---|
| A. Dhan Raj Bhagat | I. Anguished Cries (Bronze) |
| B. Amar Nath Sehgal | II. Dancer (Porcelain) |
| C. Lydia Mehta | III. Monarch (Wood and welded metal) |
| D. Meera Mukherjee | IV. Wayside Station (Bronze) |
| List - I | List - II |
|---|---|
| A. Apollo of Veii (515-490 BC) | I. Painted terra-cotta |
| B. Poseidon (450 BC) | II. Gold and enamel |
| C. Laocoon and his two sons | III. Bronze |
| D. Saltcellar of Francis (1543) | IV. Marble |
| List - I | List - II |
|---|---|
| A. Hot plate | I. Japanese paper |
| B. Intaglio print | II. Engraving on linoleum |
| C. Wood engraving | III. Dry point |
| D. Lino cut | IV. Application of ground |
Morgenthau's principles of political realism are:
A. Politics is rooted in permanent and unchanging human nature which is basically self centred, self-regarding and self-interested
B. Politics is an autonomous sphere of action and cannot therefore be reduced to morals
C. International Politics is an arena of conflicting self-interests
D. The ethics of international relations is situational ethics which is very different from private morality
Choose the correct answer from the options given below:
Who among the following political thinkers consider the anarchical self help system to be a compelling factor for States to maximise their relative power positions?