Who among the following visited Amravati and collected several sculpture panels and took them to Madras?
Walter Elliot
The question asks about the person who visited Amravati, collected several sculpture panels, and subsequently took them to Madras (now Chennai).
Amravati is a significant archaeological site in Andhra Pradesh, India, famous for its great Buddhist stupa, built over several centuries, starting from around the 3rd century BCE. The stupa was adorned with beautifully carved marble panels depicting scenes from the life of the Buddha and Jataka tales.
Over time, parts of the Amravati stupa were dismantled or damaged. Various individuals and organizations took interest in preserving or collecting the sculptures found at the site.
Walter Elliot played a crucial role in bringing the importance of the Amravati sculptures to wider attention. During his time serving in the Guntur district (where Amravati is located) around the 1840s, he undertook excavations at the site and collected a significant number of relief panels. His collection formed the core of the Amravati exhibits at the Government Museum, Madras (Chennai), where a large portion remains to this day. Other parts of the Amravati sculptures were later taken to the British Museum in London.
Therefore, based on historical records concerning the collection and transport of Amravati sculpture panels to Madras, Walter Elliot is the correct individual.
| Individual | Associated Field/Activity | Connection to Amravati/Madras Collection |
|---|---|---|
| Marco Polo | Explorer, Merchant | None regarding Amravati sculpture collection. |
| John Marshall | Archaeologist, ASI Director-General | Not directly associated with the specific collection taken to Madras by Elliot. |
| Walter Elliot | Civil Servant, Naturalist, Antiquarian | Collected numerous Amravati panels and sent them to Madras Museum. |
| John Robinson | Not historically prominent in this context. | None regarding Amravati sculpture collection. |
The individual who visited Amravati, collected several sculpture panels, and took them to Madras was Walter Elliot.
| Figure | Contribution/Connection | Period |
|---|---|---|
| Colin Mackenzie | Made early surveys and drawings of Amravati site (late 18th/early 19th century). | Late 18th / Early 19th Century |
| Walter Elliot | Collected a large number of panels for the Madras Museum. | Mid-19th Century (c. 1840s) |
| Robert Sewell | Excavated the site later and attempted to consolidate findings. | Late 19th Century |
| James Burgess | Published detailed descriptions and drawings of the sculptures. | Late 19th / Early 20th Century |
The Amravati Stupa, originally known as the Mahachaitya, was one of the most important Buddhist monuments in ancient India, particularly during the Satavahana dynasty rule. Its decline began over a millennium ago, and by the time British officials and antiquarians took interest, much of the structure was ruined or dismantled. The detailed carvings on the limestone panels provide invaluable insights into early Indian Buddhist art, architecture, and religious practices.
The fate of the Amravati sculptures is a complex story involving collection by various individuals, storage issues, damage, and distribution to different museums. The largest collections are primarily housed at the Government Museum, Chennai, and the British Museum, London. These collections are vital resources for studying the history of Buddhism and Indian art.
Walter Elliot's efforts, though part of a colonial context of collection, were instrumental in preserving many panels that might otherwise have been lost or damaged further at the unprotected site.
The Sanchi Stupa complex has survived due to:
(A) The decisions of Shahjahan Begum and Sultan Jehan Begum
(B) The good luck in escaping the eyes of railway contractors and builders
(C) The good luck in escaping the eyes of those looking for finds to carry away to the museums of Europe
(D) The steps taken by the British government to conserve the Stupa
(E) The steps taken to demarcate it as a residential building.
Choose the correct answer from the options given below:
Match List - I with List - II.
| List - I (Sanchi Sculptures) | List - II (Symbolic Meaning) |
|---|---|
| (A) Empty seat | (III) First Sermon of Buddha |
| (B) Wheel | (IV) Meditation of Buddha |
| (C) Shalabhanjika | (I) Auspicious Symbol |
| (D) Elephants | (II) Strength and Wisdom |
Choose the correct answer from the options given below:
Identify the correct statements:
A. ‘Mahabhashya’ was written by Patanjali.
B. Jatakas are associated with Buddhism.
C. Dharmasutras were written in Pali language.
D. Sutta Pitaka deals with meaning of life and philosophy.
E. Upanishads deals with meaning of life and philosophy.
Choose the correct answer from the options given below:
Which among the following sect believes that ‘everything is predetermined’?
Match List I with List II.
| List I - Texts | List II - Theme/Content |
|---|---|
| A. Ashtadhyayi | III. Grammar |
| B. Arthashastra | I. State craft |
| C. Natyashastra | II. Dramaturgy |
| D. Charak Samhita | IV. Medicine |
Choose the correct answer from the options given below: