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Question

The Purusha Sūkta belongs to which Mandala of the Rg Veda

The correct answer is
10

Rg Veda Mandala for Purusha Sukta

The Rg Veda, recognized as one of the oldest and foundational texts of Hinduism, is systematically organized into ten distinct collections known as Mandals. Each Mandala comprises numerous hymns, referred to as sūktas, which are dedicated to various deities, explore profound philosophical ideas, and detail ritualistic practices.

Purusha Sukta Context

The Purusha Sūkta stands out as a hymn of immense importance within the vast collection of the Rg Veda. Its central theme revolves around the cosmic being named Purusha. The hymn narrates the concept of Purusha's primordial sacrifice, from which the entire universe, the pantheon of gods, and the structure of society, including the four social classes (varnas), are believed to have emerged. This hymn provides crucial insights into ancient Indian cosmology and the philosophical underpinnings of the social order.

Rg Veda Mandala Structure

The division of the Rg Veda into ten Mandals serves as its primary organizational framework. While Mandalas 2 through 7 are often considered the earliest compositions, Mandalas 1 and 10 are generally thought to be later additions. These later Mandalas include a broader spectrum of hymns, covering diverse subjects like philosophy, creation myths, and complex rituals.

Purusha Sukta's Location

The question specifically asks to identify the Mandala within the Rg Veda where the revered Purusha Sūkta is located. This highly significant hymn is found in the Tenth Mandala, which is the 10th book of the Rg Veda. More precisely, it is designated as the 90th hymn (sūkta) within this Mandala, commonly cited as RV 10.90.

Consequently, the Purusha Sūkta is an integral part of the Tenth Mandala of the Rg Veda.

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Important Questions from Vedic Age

  1. Consider the following statements about the emergence of urban centres in India from circa 6th Century BCE:

    1. All of them developed away from the capitals of Mahajanpadas.

    2. Major towns were located along routes of communication.

    3. Many were bustling centres of commercial, cultural and political activity.

    How many of the above statements is/are correct?

  2. In the Manusmriti which form of marriage results from the “Voluntary union of a maiden and her lover”?

  3. The main collections of Vedic hymns are called ______.

  4. Ajatashatru, a ruler of the Haryanka Dynasty, was the son of _____.

  5. King Ajatashatru was a ruler of the ______ dynasty.

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