In all truth, as a child, I never did want to dance; it was forced upon me by a doting mother and a silent father. My father probably kept his peace to avoid argument. From the beginning, my lessons took place under trying conditions, though I believe that the conditions were more trying for my mother than for me. She travelled in local, over-crowded trains to the dance class with an unwilling child, tired from a whole day at school.
Interestingly, when I was seven, we went to see a movie starring Mumtaz Ali, who did a dance number in the film. When we arrived home, I began prancing around the house imitating the film actor and my mother, who was quietly watching, was the one who said, 'Kumudini, you are born to dance.' Ironically, I have no recollection of this story; it was my mother who saw this innate ability in me.
Narrator's Dance Career Path
The narrator expresses a thought about how her younger self would perceive her current life. She believes her younger self would be incredulous upon seeing her now, primarily because of her unexpected career path and deep involvement in the field of dance.
Reason for Incredulity
The narrator details the specific aspects of her current life that would surprise her younger self:
- She now works professionally in the field of dance.
- She actively engages in understanding dance deeply, describing it as trying to "decipher and translate dance for my own comprehension."
- She equates this process to choreography.
The passage clearly states: "That I work in the field of dance or decipher and translate dance for my own comprehension, call it choreography if you wish, would have been unbelievable." This highlights the significant shift from her past self's perspective.
Childhood Dance Experiences
The narrator contrasts her current situation with her childhood:
- She initially had no desire to dance; it was something her mother encouraged, stating, "as a child, I never did want to dance; it was forced upon me".
- Her mother made considerable effort, travelling on crowded trains to take her to dance lessons even when the narrator was tired after school.
- An anecdote involves the narrator imitating a film dancer, after which her mother remarked, "Kumudini, you are born to dance." However, the narrator herself doesn't recall this incident, indicating her childhood reluctance rather than innate passion.
Given this background of reluctance and external encouragement, the younger self would find it astonishing that the narrator is now professionally involved in dance and even practices choreography, a creative aspect of the art form.
Analysis of Options
Evaluating the given options against the text:
- Option 1: she had become a choreographer. This aligns perfectly with the narrator's statement about her current work involving choreography, which she believed would be unbelievable to her younger self.
- Option 2: she couldn't decipher the nuances of dance. This is incorrect because the narrator states she *does* decipher and translate dance, which is part of her current engagement.
- Option 3: she was too curious to learn dance since her early childhood. This contradicts the text, which says she "never did want to dance" and it was "forced upon me".
- Option 4: her reality and her dreams were not bridged. The text doesn't focus on a gap between reality and dreams but rather on an unexpected career trajectory in dance that defies past feelings.
Therefore, the most accurate reason for the younger self's incredulity is the narrator's transformation into someone involved in choreography.
Important Questions from Reading Comprehension
What is the meaning of ‘intrigued’?
What are ice shelves?
What are icebergs?
When the iceberg turns upside down, it appears ________.
The use of science in its simple form has helped man to ____________
