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Question

The line “Thou still unravished bride of quietness” presents which of the following rhetorical figures?

The correct answer is
Apostrophe

Understanding the Line

The line “Thou still unravished bride of quietness” is from John Keats' poem "Ode on a Grecian Urn". It directly addresses an inanimate concept, “quietness”, personifying it.

Identifying Rhetorical Figures

Let's examine the options to see which best fits the line:

  • Anastrophe: This involves reversing the natural word order for emphasis (e.g., "Powerful you have become"). The given line doesn't primarily rely on inverted syntax.
  • Apostrophe: This is a figure of speech where a speaker directly addresses someone or something that isn't present or cannot respond in reality. This includes inanimate objects, abstract ideas, or absent people. The line directly addresses “quietness” using the pronoun “Thou”.
  • Anaphora: This is the repetition of a word or phrase at the beginning of successive clauses (e.g., "We shall fight on the beaches, we shall fight on the landing grounds..."). The given line does not exhibit this pattern.
  • Chiasmus: This involves a reversal of grammatical structures in successive phrases or clauses (e.g., "Ask not what your country can do for you; ask what you can do for your country"). The line doesn't fit this structure.

Conclusion on Rhetorical Figure

The line directly addresses “quietness,” treating it as a person. This is the defining characteristic of Apostrophe.

Therefore, the rhetorical figure present is Apostrophe.

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Important Questions from Literature

  1. Gitanjali, a famous collection of poems, was originally written in which of the following languages?
  2. Which of the following languages is most notably associated with the literary contributions of Girish Karnad, exemplified by his acclaimed play 'Tughlaq'?
  3. Which of the following texts is considered the earliest Tamil grammar work?
  4. The drain of wealth theory was a major critique of colonial economic policies. Who propounded the 'Drain of wealth theory' in the late $19^{th}$ century?
  5. Which one of the following plays mock the Restoration drama of Dryden and Thomas Otway?
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