The four sentences (labelled 1, 2, 3, and 4) given below, when properly sequenced, would yield a coherent paragraph. Decide on the proper sequencing of the order of the sentences and key in the sequence of the four numbers as your answer. 1. ‘Literature on screen’ suggests something more capacious and defining than citation: the possibility that literary adaptations are at once cinema and literature 2. Even though a growing number of films eligible for Academy Awards for Best Screenplay Based on Material from Another Medium borrow that material from print journalism, franchise characters, television series, comic books, video games and toys, academic studies of adaptation remain stubbornly attached to literature as cinema’s natural progenitor. 3. It is as if adaptation studies, by borrowing the cultural cachet of literature, sought to claim its institutional respectability and gravitas even while insuring adaptation’s enduring aesthetic and methodological subordination to literature proper. 4. Beneath this contradictory notion of film adaptations as not merely hybrid texts but texts holding dual citizenship in two modes of presentation is an even more pervasive legacy that haunts adaptation studies: the assumption that the primary context within which adaptations are to be studied is literature.
1423
Sentence 1 introduces the idea behind the phrase ‘Literature on screen’: adaptations may be at once cinema and literature.
Sentence 4 refers to this as "this contradictory notion" of texts with dual citizenship and moves to a deeper legacy: the assumption that literature is the primary context for studying adaptations.
Sentence 2 gives evidence of that assumption: although films now borrow from many media, academic studies stay attached to literature.
Sentence 3 begins "It is as if" and interprets this attachment as a bid for literature’s prestige, so it closes the paragraph.
Hence, 1423.
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