1. Swara
2. Viruda
3. Pada
4. Tenak
5. Paat
6. Tala
The Prabandh has five Varieties or Jatis namely: Medini, Anandini, Dipani, Bhavani, and Taravali. The Jati having all six Angas is known as Medani, the jati having five Angas is known as Anandini, the Jati having four Angas is known as Dipani, the Jati having three Angas is known as Bhavani, the Jati having two Angas is known as Taravali.
Sarangadeva's seminal work, the Sangit-Ratnakar, provides a detailed framework for understanding ancient Indian musical forms. According to Sarangadeva, the Prabandh, a significant musical composition, had two primary forms: Nibaddha gana (bound or metered music) and Anibaddha gana (unbound or free music).
The structural components of a Prabandh are referred to as Dhatu. Sarangadeva identifies four essential Dhatus:
Additionally, an optional part called Antra could be included, typically placed between the Dhruva and Abhog in certain types of Prabandh.
Beyond the Dhatus, a Prabandh also comprised six constituent parts, known as Angas. These are:
Sarangadeva further categorizes Prabandh based on the number of Angas they incorporate. These categories are called Jatis or varieties. There are five distinct Jatis:
The question asks to identify what Taravali represents. Based on the classification provided in Sangit-Ratnakar, Taravali is defined as the Jati of Prabandh that utilizes two of the six fundamental Angas.
| Jati | Number of Angas |
| Medini | 6 |
| Anandini | 5 |
| Dipani | 4 |
| Bhavani | 3 |
| Taravali | 2 |
Therefore, Taravali is identified as a specific Jati of the Prabandh.
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