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Question

Seamus Heaney argues _______ is transformed into _______ in a moment of discovery.

The correct answer is
Craft, technique

Seamus Heaney's Argument on Discovery and Transformation

Seamus Heaney, a celebrated poet and Nobel laureate, often delved into the nature of creativity, language, and the artistic process. This question focuses on his perspective regarding transformation during a pivotal 'moment of discovery'. Heaney suggests that specific elements shift or evolve during these insightful moments.

The Transformation: Craft into Technique

The central argument identified is that 'craft' is transformed into 'technique' in a moment of discovery. Let's explore what these terms might mean in Heaney's context:

  • Craft: This typically refers to the practical skill, dexterity, and application of knowledge involved in making or doing something. It relates to the hands-on ability, the working with materials, and the fundamental competence of the artist or writer.
  • Technique: This can be understood as a more formalized or refined method, system, or procedure. In a literary context, it might refer to specific stylistic choices, structural approaches, or recognized ways of using language that have been honed and perhaps codified.
  • Moment of Discovery: This is the critical point where insight is gained, a realization occurs, or a new understanding emerges. It's the spark that often refines or changes the creative process.

According to the identified argument, the practical skill ('craft') is elevated or recognized as a specific, applicable method ('technique') during the illuminating event of discovery.

Examining the Options

The question asks what is transformed into what. Based on the correct answer provided:

  • The transformation is from Craft to Technique.

Let's briefly consider the other options to understand why they might differ:

  • Option 1: $inarticulate$ transformed into $Cognitive bounds$ - This relates to expression and mental limitations, not the shift from skill to method.
  • Option 2: $technique$ transformed into $craft$ - This proposes the reverse of the identified transformation.
  • Option 3: $technique$ transformed into $craft$ - This is the same as option 2, suggesting the reverse.
  • Option 4: $cognitive bounds$ transformed into $inarticulate$ - This again focuses on mental limits and expression rather than artistic process evolution.

Conclusion

In essence, Heaney's perspective highlights how the fundamental skill and practical application (craft) gain a new dimension or recognition as a specific method (technique) through the clarifying and transformative power of a 'moment of discovery'.

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Important Questions from Literature

  1. Match List-I with List-II:

    List-IList-II
    (A) Meghe Dhaka Tara(I) Govind Nihalani
    (B) Garam Hawa(II) Habib Tanvir
    (C) Tamas(III) Ritvik Ghatak
    (D) Jis Lahore Nahin Vekhya O Jamya-e-nai(IV) M.S. Sathyu

    Choose the correct answer from the options given below: 

  2. Which of the following statements are correct?

    (A) Mahabharata has over 1,00,000 verses. 

    (B) Mahabharata was written by Valmiki. 

    (C) V.S. Sukthankar is associated with the critical edition of Mahabharata. 

    (D) The critical edition of Mahabharata took 47 years to complete. 

    (E) The critical edition of Mahabharata ran into over 13,000 pages. 

    Choose the correct answer from the options given below :

  3. Who wrote the essay "Naipaul's India and Mine" (1984) as a reply to V.S. Naipaul's An Area of Darkness ?

  4. Identify the one that has not been paired correctly.

  5. Which of the following Articles of the Indian Constitution made the provision for use of English, alongside Hindi, for official purposes, for fifteen years?

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