Read the passage and answer the questions: Temple building in the region had a long history, going back to dynasties such as the Pallavas, Chalukyas, Hoysalas, and Cholas. Rulers very often encouraged temple building as a means of associating themselves with the divine – often, the deity was explicitly or implicitly identified with the king. Temples also functioned as centres of learning. Besides, rulers and others often granted land and other resources for the maintenance of temples. Consequently, temples developed as significant religious, social, cultural, and economic centres. From the point of view of the rulers, constructing, repairing, and maintaining temples were important means of winning support and recognition for their power, wealth, and piety. What was the ‘Kalyana mandapa’ used for?
To celebrate divine weddings.
The provided passage discusses the broader context of temple building in South India under various dynasties like the Pallavas, Chalukyas, Hoysalas, and Cholas. It highlights how rulers used temples to associate with the divine, how temples served as centres of learning, and their economic significance. However, the passage does not specifically mention the 'Kalyana mandapa' or its uses.
To answer the question about the purpose of a 'Kalyana mandapa', we need to draw upon general knowledge of Indian temple architecture, particularly from the periods mentioned in the passage, as these dynasties were significant temple builders.
The term 'Kalyana mandapa' literally translates to 'wedding hall'. In the context of large South Indian temples, the Kalyana mandapa is a dedicated pavilion or hall found within the temple complex.
Historically and architecturally, the primary function of the Kalyana mandapa is to host the symbolic marriage ceremony of the temple's main deity with their consort. This divine wedding ceremony ('Kalyana Utsavam') is an important festival celebrated in many temples.
Let's examine the given options in light of the function of the Kalyana mandapa:
Based on the historical function and name of the structure, the Kalyana mandapa is specifically designed and used for celebrating the symbolic divine weddings (Kalyana Utsavam) of the deities housed in the temple.
| Mandapa Type | Primary Function |
|---|---|
| Garbhagriha (Sanctum Sanctorum) | Houses the main deity, primary worship area |
| Mandapa (e.g., Mahamandapa, Ardhamandapa) | Assembly hall, prayer hall, connects Garbhagriha to outer parts |
| Kalyana Mandapa | Celebration of symbolic divine weddings (Kalyana Utsavam) |
| Nritta Mandapa (or similar) | Dance and music performances |
Therefore, the most accurate use of the ‘Kalyana mandapa’ is for celebrating divine weddings.
| Term | Significance/Function | Related Concept |
|---|---|---|
| Temple Building | Long history in dynasties like Pallavas, Chalukyas, Hoysalas, Cholas. | Architectural styles, patronage |
| Rulers & Divine Association | Kings linked themselves with deities via temple building. | Legitimacy, divine right to rule |
| Temples as Centres | Religious, social, cultural, economic centres; also learning centres. | Multi-faceted role of institutions |
| Kalyana Mandapa | Hall for celebrating symbolic divine weddings (Kalyana Utsavam). | Temple architecture, rituals, festivals |
South Indian temple architecture, particularly of the Dravidian style prevalent during the dynasties mentioned, is known for its grandeur and complex layout. Besides the main shrine (Vimana or tower over the Garbhagriha) and various mandapas, temple complexes often included:
The design and inclusion of structures like the Kalyana mandapa reflect the rich religious and social life centered around the temple. These structures were not merely functional but also served as spaces for community gathering, celebration, and the performance of sacred rituals and arts.
The Kalyana mandapa itself is often highly decorated with sculptures depicting mythological scenes, including divine marriages, reinforcing its purpose.
Abdur Razzaq was greatly impressed by the unique features of Vijayanagara’s fortification. Choose the features of Vijayanagara’s fort:
(A) Eight lines of forts were constructed
(B) No mortar was used in construction
(C) The stone blocks were wedge-shaped
(D) Circular bastions and pyramids were there in forts
(E) The fortification did not enclose agricultural tracts
Choose the correct answer from the options given below:
Arrange the following in ascending order:
(A) Aravidu dynasty
(B) Saluvas dynasty
(C) Tuluvas dynasty
(D) Sangama dynasty
Choose the correct answer from the options given below:
Who among the following traveller was impressed by the fortification of the Vijayanagara and mentioned about seven lines of defense in forts?
Arrange the following Vijayanagara dynasties in chronological order:
(A) Saluva dynasty
(B) Tuluva dynasty
(C) Sangama dynasty
(D) Aravidu dynasty
Who took the first detailed photographs of archaeological remains at Hampi in 1856?