1. Swara
2. Viruda
3. Pada
4. Tenak
5. Paat
6. Tala
The Prabandh has five Varieties or Jatis namely: Medini, Anandini, Dipani, Bhavani, and Taravali. The Jati having all six Angas is known as Medani, the jati having five Angas is known as Anandini, the Jati having four Angas is known as Dipani, the Jati having three Angas is known as Bhavani, the Jati having two Angas is known as Taravali.
Sarangadeva's seminal work, Sangit-Ratnakar, provides a comprehensive framework for understanding various forms of Indian music. Within this text, the concept of Prabandh is elaborated, highlighting its structure and components. Prabandh is described as having two primary forms: Nibaddha gana, which is bound by structure and rhythm, and Anibaddha gana, which is free and unbound.
The constituent parts of a Prabandh are referred to as Dhatu. Sarangadeva identifies four essential Dhatus, which form the fundamental building blocks of the musical composition:
Additionally, an optional part known as Antra could be included. This part was not mandatory and was typically placed between the Dhruva and Abhog in specific variations of Prabandh.
Beyond the Dhatus, Prabandh also possesses six distinct Angas, which are its integral components or limbs. These Angas contribute to the richness and complexity of the Prabandh form. The six Angas are:
The presence and combination of these Angas define the different Jatis or varieties of Prabandh.
Sarangadeva further categorizes Prabandh into five distinct Jatis (varieties), based on the number of Angas they incorporate:
| Jati | Number of Angas |
|---|---|
| Medini | 6 Angas |
| Anandini | 5 Angas |
| Dipani | 4 Angas |
| Bhavani | 3 Angas |
| Taravali | 2 Angas |
Therefore, the total number of essential Angas that constitute a Prabandh, as described in Sangit-Ratnakar, is six.
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